Viewers Observations re: matters on the J.S. Web Site.
Jamie Ball July 2005
I very much enjoyed reading your essay on photojournalism…………………I thoroughly agree with your view on the need for a broader, better balanced and less empirical treatment of photojournalism. However, to be fair, I am not in a position to agree or disagree on the contributors/editors in question as I am not familiar with the journals or articles in question. But based on your extracts of their sentiments you would have to wonder if these people really have nothing better to do than write such drivel. I am a great believer in the danger of the ‘paralysis of analysis’ how one should still objectively and intelligently discern the subject matter before them, in an informed manner, without needing to lower themselves to such misguided, narrow-minded “tosh” (if I may quote you!). The only result of such tosh is a stunted, restricted, regressive art and an overly self-conscious photographer/writer/painter…etc.
I remember watching a documentary on Cartier-Bresson last year as he was discussing his life work. The interviewer asked him to tell us all about a certain street scene image they had before them. Cartier-Bression seemed a little perplexed and finally, simply said something like “well I was walking down a street and I saw this, so I took a photograph of it. That is it!”.
Jamie Ball
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Margaret Greenwood May 2005
Photojournalism
I largely agree with what you say. I hate to see any branch of knowledge reserved for “the elite” with the rest of us condemned to be those who cannot understand. I work on the principle of photographing anything beautiful, interesting or of importance to the place. I try to make all my pictures tell a story, creative or factual, simple or complex. The ignorance of the people you mention is staggering. What do they think that Frank Capa or Cartier Bresson were doing, and goodness knows how many others? I defy anyone to look at HCB.s. pictures of Indian life and politics and say that photojournalism began in the 1950.s. The world is a big and beautiful place for us all to see and understand. The main perequisite is an open mind, free of prejudice. Sadly, not everyone has this quality. The point of all photography being manipulative is well made, and often forgotten in the debate between film and digital. Several lifetimes will not be enough for me to see and photograph all the subjects that fascinate me, hopefully with passion and without prejudice.
Margaret.
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Katrina Cole March 2006
On photojournalism and its consequences.
How incredibly refreshing to have someone of John Shelley’s stature and experience speaking of photojournalism in such a frank and commanding manner. For too long have us mere mortals (art etc) photographers been oppressed and ashamed by the courage of our brother documentary’s who bravely go where we supposedly fear to tread (as artists I fear to say……) but let me offer you this declension of being - we too bravely tread a path that is feared by many. Still there are people in this western world who think the snapping of a shutter steals something from their very soul whether it be their very essence or be it the commercial value us” Art” photographers it is still a steal , a valued commodity which we have taken without proper reference. As art photographers, we have to shoulder the burden of our infamous brothers; how many times have you been asked about Don McCullin, Robert Capa and endless Magnum members? How have you as an Art photographer dealt with invasive and inquisitorial demands? I know that I have had to feel supremely confident and self-assured to reply. Yes…. they are my comrades at arms and I support what they do and how they do it , utterly and without doubt in their ability but what if the tables were turned……I know that because of the isolationist nature of my art, I could….if pushed….do it just the same as they do it.
Katrina.
 
 

 

 
       
 
 
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